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I Really wanted to like this movie. I usually enjoy Kevin Hart and Ice Cube I have followed since the Friday movies. But even the last Friday movie was more fun than this. The problem is it has all been seen so many times before and better! the characters are more caricatures than characters. The jokes you know long before they actually happen. Ice Cube is being more "badass" than in XXX 2, which only makes him appear more moronic. But my biggest problem with the movie is Kevin Hart. That guy can be sooo hilarious! this movie is the ONLY movie where I did not find him funny at all, and at the end were only annoyed by him. A real shame......

I love Kevin Hart don't get me wrong. His stand up is hilarious and I also love Ice Cube's movies AND the two of them have great chemistry on screen and all but....it wasn't that funny. This movie had its' funny parts but the problem is most of them you already saw on the preview. This won't go on my list of funniest movies I've ever seen but it had decent action and decent humor. It had a little twist toward the end but thinking of the premise movies like Meet the Parents were funnier or Twenty one jump street or The Heat but what can I say it was filmed well and the two of them together provided enough entertainment so the film is worth a watch.

No matter how popular this film becomes at the box office, Kevin Hart no longer has to prove himself as being worthy of a lead star. His comedic timing and graceful style more than prove that in Ride Along. The trouble is that the film itself is so lacking in almost any originality or intelligence that he would have had to do a lot in order to show himself worse than the movie.

Playing the comic relief in a pale yet obvious retread of 48 Hrs. and Training Day, Hart fully utilizes his short stature and body language to his strength. Being rather short, indeed shorter than his female co-star Tika Sumpter, Hart compensates by playing a man-child with a large inferiority complex. Constantly attempting to prove himself capable of something of value, he still cannot help but invoke his knowledge of childish things, mainly video games. He also cries in terror, jumps into his brother-in-law's arms and looks for acceptance at every turn. He is, in fact, a fully-grown imp. What is astonishing about him is how he uses this to carry the movie along. Scene after scene drags along with the obligatory sense of having been done countless times beforehand but it is Hart's sentimentality that shines beyond the dull narrative. Though his facial expressions are often overwrought, he is still capable of carrying scenes purely through his timing and understanding of comic development. At times, he sounds like he is improvising a stand-up bit. Other times, he seems to invoke the speed-demon, whirlish style of Eddie Murphy. No matter his tactic, he makes it count despite a lack of support.

Making things more frozen than necessary is Ice Cube, scrunching up his face in attempting to portray a hard-ass of a cop; one of those lone, righteous moralists who is willing to go against any and all authority in order to prove himself as being right all along about his case. Of course he is, but what is confusing is how the film seems to condemn his behavior as a loner, yet justifies his actions during the course of the story. It is never clear which side the movie falls on and it most likely does not matter. Truthfully, none of the characters or plot points seem necessary at all except to showcase the difference between Hart's ambitious high-school security guard trying to become an Atlanta policeman and Ice Cube's tough-as-nails detective on the hunt for the most ferocious kingpin in the city, so terrifying and imposing that no one has ever seen his face (You will guess who it is right away; the opening credits give it away).

The biggest fault in the screenplay is its lack of developing the relationship between the two key characters: Ice Cube and his sister. Supposedly, they are very close due to being raised in foster homes, leading to him playing over-protective daddy to her. The trouble is the writers never give them a scene for themselves. What kind of relationship did they have or have now? And how has it changed as they have gotten older? And, furthermore, what is Ice Cube's personal life? Does he have one? Clearly, these were not on the writers' or director's mind. The final priority seems to have been only to ensure Kevin Hart came out looking like a fine-bred, comedic leading man for years to come. In this, the movie has succeeded. However, the makers of the movie should not pat themselves on the back. Save that for Mr. Hart himself, the only saving grace in this entire tired, formulaic story.

Fresh off of his hit stand-up comedy film, "Let Me Explain," Kevin Hart returns to the big screen with "Ride Along." While it may be far from the most memorable comedy, I can't help but admit I enjoyed sitting through it.

Kevin Hart plays Ben, an eccentric man who wants to marry the love of his life, Angela (played by Tika Sumpter). Before he does, he seeks to get the blessing of her brother James (played by Ice Cube), a tough, loose cannon cop. In order to prove he's worthy of marrying James' sister, Ben must join James on a day on his job as an officer. Eventually, the two get wrapped up in a case neither of them were expecting.

As expected, the film plays out like a typical buddy-cop comedy: a cop teams up with someone he doesn't like or agree with and the two have to attempt to get along. While this basic plot line has indeed been done to death, this film makes the fortunate decision to skip out on many movie clichés. There is no third-act-breakup, no mopey montage, and no "you're off the case" or "you're fired" scene. While a lack of these clichés does hamper the conflict, it is quite refreshing to see them absent from the film. On the other hand, the script lends itself to other flaws. Several scenes seem to be included for the sole purpose of filling time (such as a random cameo by Jacob Latimore that amounts to nothing). Moreover, the story can be very predictable at time, even with a couple of random and nonsensical plot twists thrown in. Still though, there is a lot of good to this film.

The dialogue, while far from quotable, is consistently funny and is almost guaranteed to keep the theater laughing. The jokes are delivered on a regular basis and never stray too far into campy or mean-spirited territory. Unlike films like "Identity Thief" and "A Madea Christmas," the tone of the film never strays from a comedic romp and always keeps the laughs coming.

Kevin Hart's performance itself is arguably worth the price of admission. Hart's lines are delivered with the impression that he is enjoying making this movie, and his high-energy presence is sure to please his fans. If you are a fan of Kevin Hart, you will most likely enjoy his screen-presence and his great chemistry with Ice Cube even if you find the script to be lacking.

"Ride Along," may not go down as a comedic legend, but in my eyes, it is certainly worth checking out at least as a rental. The flawed script can indeed be overlooked by the gleeful dialogue and Kevin Hart's enthusiasm. I'd say give it a shot, it wouldn't hurt to check it out.